Marímbula

The marímbula (Spanish pronunciation: [maˈɾimbula]) is a plucked box musical instrument of the Caribbean Islands (not to be confused with a marimba).

Characteristics

It consists of a wood box with a sound hole cut in the center of it. Across this hole, a number of metal strips are attached at one end to the resonating box. These metal strips are tuned to different pitches, and are plucked to produce a bassline for the music. The marímbula is usually classified as part of the lamellophone family of musical instruments.

Genres

It is mainly used in Mexican son jarocho music (known as marimbol), Cuban changüí and Dominican Merengue típico.

History

With its roots in African instruments, the marimbula originated in the province of Oriente, Cuba, in the 19th century. Eventually it spread throughout the Caribbean, the Americas, and Africa, from Liberia to the Congo. By the 1930s it had made its way to Haiti, the Dominican Republic, Puerto Rico, Jamaica, other Caribbean islands, Mexico, and as far away as New York City. The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass (Jamaica), and box lamellophone.

Klinik

Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.

History

Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.

In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.

The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.

Hi-Riser (automobile)

Hi-Risers are a type of highly customized automobile, typically a traditional, full-size, body on frame, V8 powered, rear wheel drive American-built sedan modified by significantly increasing the ground clearance and adding large-diameter wheels with low-profile tires. Depending on the model and style of body, autos customized in this manner can be labeled "donk," "box," or "bubble."

Hi-risers originally grew out of the Dirty South subculture, but the trend has spread across the United States. Vehicles customized in the hi-riser style are distinguished by their oversized (even disproportionate) wheels, ranging from 20 inches to 30 inches or more in diameter (largest being 50 inch), as well as fanciful custom paint-jobs and expensive audio equipment. Suspension modifications similar to those employed on lifted pickup trucks are made to give adequate clearance for the large wheels. Often the suspension is modified so the front end sits slightly higher than the rear end, giving the car a swaggering appearance. Because of the exaggerated look gained from installing a lifted suspension and enormous wheels, donks are also known as "hi-risers" or "sky-scrapers."

Hyperrectangle

In geometry, an n-orthotope (also called a hyperrectangle or a box) is the generalization of a rectangle for higher dimensions, formally defined as the Cartesian product of intervals.

Types

A three-dimensional orthotope is also called a right rectangular prism, rectangular cuboid, or rectangular parallelepiped.

A special case of an n-orthotope, where all edges are equal length, is the n-cube.

By analogy, the term "hyperrectangle" or "box" refers to Cartesian products of orthogonal intervals of other kinds, such as ranges of keys in database theory or ranges of integers, rather than real numbers.

Dual polytope

The dual polytope of an n-orthotope has been variously called a rectangular n-orthoplex, rhombic n-fusil, or n-lozenge. It is constructed by 2n points located in the center of the orthotope rectangular faces.

An n-fusil's Schläfli symbol can be represented by a sum of n orthogonal line segments: { } + { } + ... + { }.

A 1-fusil is a line segment. A 2-fusil is a rhombus. Its plane cross selections in all pairs of axes are rhombi.

Rumba

The term rumba may refer to a variety of unrelated music styles. Originally, the term rumba was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all.

In Cuba

During the second half of the 19th century, several secular dance-oriented music styles were developed by Afro-Cuban workers in the poor neighbourhoods of Havana and Matanzas. These syncretic styles would later be referred to as "rumba", a word that also meant "party". Traditionally, the three main styles of rumba are yambú, columbia and guaguancó, each of which has a characteristic dance, rhythm and singing. Although still a purely folkloric genre, numerous innovations have been introduced in rumba since the mid 20th century, including new styles such as batá-rumba and guarapachangueo.

Rumba (1935 film)

Rumba is a 1935 musical drama film starring George Raft as a Cuban dancer and Carole Lombard as a Manhattan socialite. The movie was directed by Marion Gering and is considered an unsuccessful follow-up to Raft and Lombard's smash hit Bolero the previous year.

Plot

Famed dance team, Veloz and Yolanda were uncredited choreographers for this film, while the signature rumba danced near the end by Raft and Lombard seems to be a simplified variation of rumba performed by Veloz and Yolanda themselves the year before in another Paramount film starring George Burns and Gracie Allen, "Many Happy Returns."

Cast

Rumba (Anahí song)

"Rumba" is a song recorded by Mexican singer and actress Anahí for her upcoming sixth studio album. It features vocals by Wisin.

Live performances

On July 16, 2015, Anahí and Wisin took the stage of Premios Juventud to perform "Rumba" for the first time.

Release history

Charts

References